By Harvey G. Stack, Senior Numismatic
Consultant
Many coin collections have
themes, whether it is a special series or denomination run, or a period of
time, or design differences between periods of issue. Such collections have
always been interesting to me as some can be very similar but still are reflections
of the collectors who created them. Collectors often follow patterns that
others have taken before and then set themselves a goal that their collection
could be more extensive, or be of better quality, or have a twist that the
previous collection did not have. One very interesting collection from 1951
comes to mind.
In that year we were contacted by
a bank in Michigan who asked us to sell a collection that they had on display.
It was called “Dollars of the World” and contained some 1,600 different dollar
size (crown size to our collecting friends) coins. Covering issues from 429
countries, the accumulation included from the earliest issue dated 1486 to when
the collector stopped.
The collection was formed by L.G.
Kaufman, a banker of great renown at the time, and was exhibited first in New
York City and Marquette, Michigan. He was president of the Chatham Phoenix
National Bank and Trust Company, and collectors of U.S. currency can note his
signature on National Bank Notes. The “Dollars of the World” collection was
exhibited all over the United States as an educational display, and hundreds of
thousands of people had the opportunity to see it before it was consigned by
the Marquette Bank for auction by Stack’s.
The exhibit showed examples of
the earliest dated dollar-size coin, issued by Sigismund in Tyrol, and called
the “taler.” This became a standard size and weight for coins to be used for
payment for debts and services in countries worldwide. Many countries and
states issued coins of this size for easy trade purposes and it was often called
by similar, yet different names. For example, in Denmark, Norway and Sweden it
became “daler.” In Germany it was “taler” or “thaler,” in Italy it was
“tallero,” and in the United States it was “dollar.” In England it was known as
a “crown,” in France “five francs,” in Russia a “ruble” and in Spain an “eight
reales” or “piece of eight.” All of these and more were included in the
“Dollars of the World” display.
The collection was shown on large
trays, with wooden dividers, each opening measuring about two inches square,
with some 24 openings on each tray. Each coin was numbered on a green card set
below the coins, and six trays were inserted into a leather box, which was
fitted into a special shipping trunk so it could be transported easily. Each
coin was likewise described in a booklet that helped those who viewed the
exhibit know just what they were seeing and admiring. The booklet descriptions
covered the 429 countries, states, provinces, principalities, cities, religious
bodies and organizations of various kinds that struck these coins over 442
years.
Originally, these large
silver-dollar size coins were made by hand. The silver was hammered into sheets
of the required thickness, impressions of the dies, both obverse and reverse,
were made on it, and each coin was cut from the strip with iron sheers. Later
on, the planchets were cut first and a screw press was used to stamp the coins.
The coins were then adjusted at the mint to take care of any surplus weight, and
then they were ready for circulation. The Industrial Revolution brought more
advanced presses that used greater weight as well as collars to create better
products. The need for currency in trade was so important that the mints of the
world obtained the most modern machinery to strike coins.
In addition to their monetary
use, these large silver coins lent themselves to artwork that would commemorate
the images and happenings of each ruler’s reign, and were also used to record
great historical events, great art of the period, and created a permanent
record for centuries of issuance.
Mr. Kaufman often accompanied the
exhibit to give lectures about the history surrounding the coins. After he
passed away, one of his banks in Michigan in 1951 decided that the cost of
maintaining the exhibits was too much for them to underwrite, though they knew
it did provide an excellent tool for studying finance and history and that many
had benefited from seeing it. It was then that Stack’s was selected to offer it
for sale at public auction. The sale attracted collectors from all over the
United States, many of whom had heard about or seen the exhibit and wanted to
own some of the coins from this noteworthy collection.
As Mr. Kaufman desired, the
collection served as a learning tool for young and old. Unfortunately, today
some museums and libraries have had to sell collections in order to support
other educational endeavors. Others have had to downsize their exhibit rooms or
keep many numismatic items stored away in vaults, often leaving it to numismatics
to be the venue to illustrate the important role of coins in history and art.
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